Pictures and video of my previous pumpkin sculptures from 2007-2009 are in this blog post.

For my own amusement:

For Alice’s son:

For Dr. Sketchy’s, Brighton:

See more of David Allen’s work at DeviantArt.

You have to watch this, and you have to watch it in fullscreen mode. It’s breathtaking: an historical art not just preserved, but very much alive and being forced to its limits by David A. Smith.

As I type this there are 75 pictures uploaded so far. I strongly suggest that you look through the set one by one, rather than as a slideshow; you will miss important context from the notes included with each image if you do not.

Mr. Tan’s mastery of light and texture has translated perfectly into the moving image, as you can see in the trailer on The Lost Thing website.

I’ve said it before and I’ll say it again; if you subscribe to other blogs and don’t subscribe to The Retronaut, you should stare at yourself very critically in a highly reflective surface.

I was given a blank slate with the design of this shirt, but there were natural restrictions. The design would have to reflect Amon’s music in some way, and to make a good screenprint I would need to be aware of the limitations of the medium with regard to thickness of lines.

Previous designers have created a wide range of artwork for Amon, but there are certain themes which have been used repeatedly. Amon’s got quite a range to his sound: he’s most well known for his darker, more menacing work but his music is often very light and melodic. It’s not surprising that so many artists have used robotic themes for his artwork given that many of Amon’s tracks make you think of sinuous machinery, but another side to his sound is reminiscent of something ancient. I wanted to depict both of these aspects in my design. Also, although Amon was actually born in Brazil and identifies as Brazilian, he sounds like a well-spoken Englishman due to growing up in Britain.

I pooled all of these ideas, and decided to base my work on the Windsor Coat Of Arms. I considered creating my design digitally with Paths in Photoshop, but I realised that part of what makes the original work is that it’s not highly accurate so I decided to use pencil and pen instead. I was also concerned that too much accuracy might make certain details jump out as mirrored pairs – perfect layouts can create a kind of invisible grid. Luckily I’ve got a lightbox (well I say it’s a lightbox, although it does look a lot like a hospital x-ray viewer, and I suppose it does have the word “HOSPITAL” moulded into the plug… but really, the similarities end there). This meant I could simply tape paper over a printout of the Windsor coat of arms and get to work. My version trades various heraldic details for computer audio components, and I made the robots’ heads so that they can be seen to have the long shape of a horse/unicorn, but also contain an area with the shape of a bird’s beak (thus changing the lion into a griffon).

I also made the digital painting above for the desktop wallpaper versions:

4:3 aspect ratio

1280 x 960
1400 x 1050
1600 x 1200
1920 x 1440

16:10 aspect ratio (widescreen)

1280 x 800
1440 x 900
1680 x 1050
1920 x 1200
2560 x 1600

16:9 aspect ratio (widescreen)

1280 x 720
1600 x 900
1920 x 1080
2048 x 1152
2560 x 1440

iPhone/iPod Touch

Generations 1-3
Generation 4

iPad

iPad